When I first started doing photography for other people I didn’t charge – instead I asked them to make a donation to my favourite charity – Unicef. This was great in most cases and so many of my clients were happy to make generous donations which was great! However, as time went on and the expenses of running a photography business materialised (website, equipment, insurance blah blah) I wasn’t able to continue in this vein so a new approach was needed.
I wanted to continue to give back to charity because it feels so good to do that, and like many people I’m not really in a position (yet!) to make large cash charity donations on a regular basis. So I started donating family photography sessions to various good local causes – everything from school fetes, to tombolas, to raffles and full scale charity auctions. The way I look at it is this – even if the person who wins the session doesn’t need it/want it they and many others will have donated money the to charity for their ticket and that is a good thing. In addition the person who wins might end up having spent a couple of pounds and got something they otherwise couldn’t afford to do – so that’s a good thing too. I always include a few branded images in these sessions so that people can (if nothing else and they cannot or don’t want to buy prints and things) share their session on Facebook and what not – so win win really!
Don’t get me wrong, there are sound business reasons for this approach too. It helps get my name out there and people sharing photos on Facebook with my logo on is great advertising. These are local charities so there are lots of people there who are potential clients and I’ve also picked up a few business clients from things like this, plus opportunities to get involved with other local events. Some winners even buy a print or some digital images from their shoot so that covers a little of the cost of doing this – but it’s the charity that really benefits and that’s why I love doing it.
I wanted to share some of the images from a recent family shoot that was the result of a charity auction at a local school in aid of Born Free Foundation– one of my favourite locally based charities. I had such a wonderful time with this great family, they made a generous donation to the charity and were so welcoming to me at their shoot. I had a brilliant time both on the day and afterwards processing the images and I love how they came out despite it being quite a grey day.
A huge thank you to these guys and to all the families who’ve made donations to various charities for their photo shoots over the last few years – I’m so looking forward to more of these in the coming spring and summer months!
If you’ve followed me for a while, you might already know about my long-running portrait project 50 Faces. For those who don’t know – here’s a quick summary of what it’s all about.
Back in spring of 2014, I decided I wanted to learn more about portrait photography – that I might actually want to be a portrait photographer – but I wasn’t sure. Up until this point my serious photography had been focused on the sport that my husband and I were deep into – rock climbing. I’d started photographing climbing for the record of what we’d acheived, and had taken many successful images of the landscapes in which we climbed and the routes we took from top to bottom. Increasingly though I was finding it more interesting to focus on what I now know are called ‘environmental portraits’ of the climbers, to try and capture the feeling of climbing through their expressions and their body positions.
I decided that the best way to find out whether I should pursue portraiture as a creative avenue, was to simply do more of it. To hone my skills in portraiture by simply getting a lot of practice and deciding what worked and what didn’t, what I liked and what I didn’t. I didn’t want it to be totally random though and I decided quite early on (after a number of people I photographed asked me what I planned to do with the images) that I wanted this to be a project and potentially an exhibition so I made them all black and white and all square format – limitation being the father of creativity afterall!
Fast forward to today and the project is finally complete. In the intervening years I have met and photographed a lot of interesting people! Many of these people I already knew, quite a number I did not. Many surfaced as volunteer subjects with whom I’ve since become friends. I took my project to various places I travelled to, including my time spent working in Oman but I also focused on those close to home. What I’ve realised is that I have definitely changed, developed and found a style as a portrait photographer – and I adore it! I love the challenge, the interaction with the subject, the planning to get the perfect shot and even the failure when something just didn’t quite work. I love the look on a person’s face when they see their image and they love it, and the sometimes quizzical reactions of those who see something they didn’t quite expect. I love the collaboration of making something that truly reflects the person, whether at just that moment in time or with deeper meaning and connection with their personality, their life, their loves. More than anything I love the creativity, the multitude of ways that a person can be represented in a photograph and the sheer variety even within the self-imposed limitations of the black and white, square image.
Technically, all that progress (along with a lot of additional training which I would never have known I needed without this project to help me realise what I didn’t know) has led to me launching Sian T. Photography and moving forward with my photography knowing that the path I’d glimpsed back in 2014 was indeed the right one.
I’ll be writing more about 50 Faces over the coming weeks and will eventually share the whole project – for now just know that the exhibition (entitled Face to Face and in collaboration with two other amazing artists) opens on 13th June 2017 at Cranleigh Arts Centre, Surrey, UK. I’m both excited and terrified about the whole thing. This is 3 years of my work out there to be judged, but more than that it’s the story of my photographic life over those 3 years and how it’s made me who I am today.