It’s taken a long time to get around to writing this particular blog – not only because the summer has been a wonderful whirlwind of family time and exciting photographic opportunities, but because organising my thoughts on this has been a long time coming.
Last year I finally resolved to deal with my own fear of being photographed. It is frankly ridiculous to be a portrait photographer and not be able to stand to look at a photo of yourself. How on earth could I help those I photograph to feel comfortable, to understand that I’ll take care of them, that they will look great and that previous bad experiences in front of the lens must be put to one side and forgotten – when my own gut instinct was to run a mile from any camera pointed my way. My excuses were feeling hollow even as I said them “I’m just not photogenic” “I always make a weird face” – excuses I’d heard so many times from my portrait subjects and which I routinely acknowledged then laid aside.
My rational, business minded self also knows that people buy people as much as they buy services, and I’ve blogged about the importance of connecting with potential customers through your profile photo and your About Me section. You see, it’s not that I don’t believe all of this, it’s simply that I know how hard it can be! The wonderful Hannah Couzens so kindly did my headshots last year and they are lovely – honestly she did wonders with my immobile face and it’s tendency to look murderous even when the actual thoughts behind the eyes are much more banal. It was a great experience to be photographed by Hannah and the images are great but a year on I could feel the old fear surfacing again and so I figured I needed another ‘shot in the arm’ so to speak – it was time to create my own self portraits!
I had a free couple of hours so I planned for 3 different looks going from pretty banal to more daring on the grounds that if the banal went badly then I could bail on the more daring! I wanted something with expression, something with character even though I know that leads to a less pretty result – expression tends to give me more wrinkles, smaller eyes, more ‘weirdness’ all together but honestly it’s who I am and it’s about more than just a pretty picture, it’s about embracing the weird!
So here they are – 3 shots – all quite different but all very much me. Don’t get me wrong, the idea of putting this out there still worries me – and before anyone asks (that means you Dad!) it’s a strapless top! However, I’m a good photographer and while these are most definitely not ‘straight out of camera’ I think that makes a difference and sharing them is perhaps a little step along the road to accepting my face as it is (in it’s mid-thirties, with some wear and tear, feeling a bit of neglect but probably typical). I don’t look like a model, but a good photograph doesn’t require you to look like Kate Moss.
A few weeks after I made these photos, and a week before writing this blog I did my first ever training on working with the media – I had to do a video interview. This did not go well! I cringed at the sight of my miserable face on the screen, hated the camera angle with a passion and frankly wished the ground would swallow me up as my colleagues and trainers watched the film back. So – still work to do on self acceptance, but baby steps perhaps!
If you’ve followed me for a while, you might already know about my long-running portrait project 50 Faces. For those who don’t know – here’s a quick summary of what it’s all about.
Back in spring of 2014, I decided I wanted to learn more about portrait photography – that I might actually want to be a portrait photographer – but I wasn’t sure. Up until this point my serious photography had been focused on the sport that my husband and I were deep into – rock climbing. I’d started photographing climbing for the record of what we’d acheived, and had taken many successful images of the landscapes in which we climbed and the routes we took from top to bottom. Increasingly though I was finding it more interesting to focus on what I now know are called ‘environmental portraits’ of the climbers, to try and capture the feeling of climbing through their expressions and their body positions.
I decided that the best way to find out whether I should pursue portraiture as a creative avenue, was to simply do more of it. To hone my skills in portraiture by simply getting a lot of practice and deciding what worked and what didn’t, what I liked and what I didn’t. I didn’t want it to be totally random though and I decided quite early on (after a number of people I photographed asked me what I planned to do with the images) that I wanted this to be a project and potentially an exhibition so I made them all black and white and all square format – limitation being the father of creativity afterall!
Fast forward to today and the project is finally complete. In the intervening years I have met and photographed a lot of interesting people! Many of these people I already knew, quite a number I did not. Many surfaced as volunteer subjects with whom I’ve since become friends. I took my project to various places I travelled to, including my time spent working in Oman but I also focused on those close to home. What I’ve realised is that I have definitely changed, developed and found a style as a portrait photographer – and I adore it! I love the challenge, the interaction with the subject, the planning to get the perfect shot and even the failure when something just didn’t quite work. I love the look on a person’s face when they see their image and they love it, and the sometimes quizzical reactions of those who see something they didn’t quite expect. I love the collaboration of making something that truly reflects the person, whether at just that moment in time or with deeper meaning and connection with their personality, their life, their loves. More than anything I love the creativity, the multitude of ways that a person can be represented in a photograph and the sheer variety even within the self-imposed limitations of the black and white, square image.
Technically, all that progress (along with a lot of additional training which I would never have known I needed without this project to help me realise what I didn’t know) has led to me launching Sian T. Photography and moving forward with my photography knowing that the path I’d glimpsed back in 2014 was indeed the right one.
I’ll be writing more about 50 Faces over the coming weeks and will eventually share the whole project – for now just know that the exhibition (entitled Face to Face and in collaboration with two other amazing artists) opens on 13th June 2017 at Cranleigh Arts Centre, Surrey, UK. I’m both excited and terrified about the whole thing. This is 3 years of my work out there to be judged, but more than that it’s the story of my photographic life over those 3 years and how it’s made me who I am today.