I love Halloween!!! I love Halloween parties, Halloween costumes, Halloween decorations and even Halloween food. Last Halloween I wanted to create some spooky images to celebrate my favourite holiday so I reached out online to look for some like-minded people to work with.
The result is one of my favourite pieces of work EVER! Working with makeup artist Decaln Scammell (now my partner in crime over at The Powdered Lens) model Kat Hastings and fellow photographer Hester Barnes we had so much fun both in the studio and out in the local woods (getting some brilliant reactions from the dog-walkers naturally!).
Afterwards I contacted my old friend, author James Nuttall and he wrote a beautifully creepy short story to accompany the images and Lilith was born to the world. You can see her story in full at the link below!
After a HUGE amount of deliberation and some soul searching, I recently launched a creative portrait package. The deliberation was down to the fact that the Surrey Hills is not exactly a hot market for portraits that go way beyond headshots. This isn’t London, or Brighton and while people here love their family photography and the business photography market is booming – I’m not sure they will be bashing the door down to get ‘interesting’ in the studio.
BUT – in the end I figured there was no harm in launching something – kind of a ‘if you build it they will come’ sort of thing. I’ll keep you posted on how it goes, but the early signs are promising.
What I wanted to share with you here is the shoot that started me off thinking about all this. I wanted to try something big, something really creative and something collaborative. At Halloween last year I got my first taste of this kind of thing with the Lilith shoot (check out this shoot over at my Spark page) and honestly I had such an amazing time I wanted to do it all over again! I have always loved dressing up, both in the glamorous evening wear sense and in the fancy dress sense (that’s costume for my American readers) but I love the piecing together of an outfit, the concept, the finding of unique pieces and the creating a look almost as much as I love wearing the things!
I’d been trying to persuade my friend Chantal to model for me for a couple of years but she wasn’t really having it until I presented her with this particular idea which would only work the way I wanted with a model that looked just like her (honestly it wouldn’t have been anywhere near as good without her golden skin and black hair – it just wouldn’t!). Having convinced her I set about gathering others to help with the set, the styling and the makeup and the result is what you see here – Violet and Gold!
The key thing here is that Chantal isn’t a professional model, so making the experience of being part of this a positive and fun one was critical for me. No-one was getting paid so we had to enjoy ourselves as well as make some really great images. This is what makes me think that anyone can ‘model’ for something like this and the experience of being the star for a few hours is something that more people should have. No matter how confident (or not!) you are in front of the camera, I know we can have a great time and you can look great. If you’re not the kind of person who enjoys the sight of their own face – you can be someone else for a day! It’s amazing how when you step into a character the inhibitions are broken down and you can behave however you want because that’s what the character needs. I totally get why people get into the whole reenactment or live action role play scene – dress up and lark about as someone else for a while – what better escapism could there be!
So – enjoy Violet & Gold, I’ve put a few images below but do head over and check out the full shoot with details of everyone involved plus behind the scenes images and background info over on My Spark and if you fancy giving something mad and creative a try get in touch!
For the full Violet & Gold experience check out the project HERE
If you’ve followed me for a while, you might already know about my long-running portrait project 50 Faces. For those who don’t know – here’s a quick summary of what it’s all about.
Back in spring of 2014, I decided I wanted to learn more about portrait photography – that I might actually want to be a portrait photographer – but I wasn’t sure. Up until this point my serious photography had been focused on the sport that my husband and I were deep into – rock climbing. I’d started photographing climbing for the record of what we’d acheived, and had taken many successful images of the landscapes in which we climbed and the routes we took from top to bottom. Increasingly though I was finding it more interesting to focus on what I now know are called ‘environmental portraits’ of the climbers, to try and capture the feeling of climbing through their expressions and their body positions.
I decided that the best way to find out whether I should pursue portraiture as a creative avenue, was to simply do more of it. To hone my skills in portraiture by simply getting a lot of practice and deciding what worked and what didn’t, what I liked and what I didn’t. I didn’t want it to be totally random though and I decided quite early on (after a number of people I photographed asked me what I planned to do with the images) that I wanted this to be a project and potentially an exhibition so I made them all black and white and all square format – limitation being the father of creativity afterall!
Fast forward to today and the project is finally complete. In the intervening years I have met and photographed a lot of interesting people! Many of these people I already knew, quite a number I did not. Many surfaced as volunteer subjects with whom I’ve since become friends. I took my project to various places I travelled to, including my time spent working in Oman but I also focused on those close to home. What I’ve realised is that I have definitely changed, developed and found a style as a portrait photographer – and I adore it! I love the challenge, the interaction with the subject, the planning to get the perfect shot and even the failure when something just didn’t quite work. I love the look on a person’s face when they see their image and they love it, and the sometimes quizzical reactions of those who see something they didn’t quite expect. I love the collaboration of making something that truly reflects the person, whether at just that moment in time or with deeper meaning and connection with their personality, their life, their loves. More than anything I love the creativity, the multitude of ways that a person can be represented in a photograph and the sheer variety even within the self-imposed limitations of the black and white, square image.
Technically, all that progress (along with a lot of additional training which I would never have known I needed without this project to help me realise what I didn’t know) has led to me launching Sian T. Photography and moving forward with my photography knowing that the path I’d glimpsed back in 2014 was indeed the right one.
I’ll be writing more about 50 Faces over the coming weeks and will eventually share the whole project – for now just know that the exhibition (entitled Face to Face and in collaboration with two other amazing artists) opens on 13th June 2017 at Cranleigh Arts Centre, Surrey, UK. I’m both excited and terrified about the whole thing. This is 3 years of my work out there to be judged, but more than that it’s the story of my photographic life over those 3 years and how it’s made me who I am today.