50 Faces goes on display this June 2017 “cue fanfare for baring my soul!”

If you’ve followed me for a while, you might already know about my long-running portrait project 50 Faces.  For those who don’t know – here’s a quick summary of what it’s all about.

Back in spring of 2014, I decided I wanted to learn more about portrait photography – that I might actually want to be a portrait photographer – but I wasn’t sure.  Up until this point my serious photography had been focused on the sport that my husband and I were deep into – rock climbing.  I’d started photographing climbing for the record of what we’d acheived, and had taken many successful images of the landscapes in which we climbed and the routes we took from top to bottom.  Increasingly though I was finding it more interesting to focus on what I now know are called ‘environmental portraits’ of the climbers, to try and capture the feeling of climbing through their expressions and their body positions.

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Capturing images for 50 Faces during my time working in Oman

 

I decided that the best way to find out whether I should pursue portraiture as a creative avenue, was to simply do more of it.  To hone my skills in portraiture by simply getting a lot of practice and deciding what worked and what didn’t, what I liked and what I didn’t.  I didn’t want it to be totally random though and I decided quite early on (after a number of people I photographed asked me what I planned to do with the images) that I wanted this to be a project and potentially an exhibition so I made them all black and white and all square format – limitation being the father of creativity afterall!

Fast forward to today and the project is finally complete.  In the intervening years I have met and photographed a lot of interesting people! Many of these people I already knew, quite a number I did not. Many surfaced as volunteer subjects with whom I’ve since become friends.  I took my project to various places I travelled to, including my time spent working in Oman but I also focused on those close to home.  What I’ve realised is that I have definitely changed, developed and found a style as a portrait photographer – and I adore it!  I love the challenge, the interaction with the subject, the planning to get the perfect shot and even the failure when something just didn’t quite work.  I love the look on a person’s face when they see their image and they love it, and the sometimes quizzical reactions of those who see something they didn’t quite expect.  I love the collaboration of making something that truly reflects the person, whether at just that moment in time or with deeper meaning and connection with their personality, their life, their loves.  More than anything I love the creativity, the multitude of ways that a person can be represented in a photograph and the sheer variety even within the self-imposed limitations of the black and white, square image.

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Good friends and complete strangers alike helped me throughout the project – here, my friend Alan poses atop his balcony in Oxford, UK

 

Technically, all that progress (along with a lot of additional training which I would never have known I needed without this project to help me realise what I didn’t know) has led to me launching Sian T. Photography and moving forward with my photography knowing that the path I’d glimpsed back in 2014 was indeed the right one.

I’ll be writing more about 50 Faces over the coming weeks and will eventually share the whole project – for now just know that the exhibition (entitled Face to Face and in collaboration with two other amazing artists) opens on 13th June 2017 at Cranleigh Arts Centre, Surrey, UK.  I’m both excited and terrified about the whole thing. This is 3 years of my work out there to be judged, but more than that it’s the story of my photographic life over those 3 years and how it’s made me who I am today.

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